Womanspeak a Journal of Writing and Art by Caribbean Women

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are y'all know a lot near the men who "defined" their mediums. Equally with other subjects, most of what we learn about art history today nevertheless centers on white men from Europe and, later, the U.s.a.. In reality, there are so many more artists of all genders to learn from and capeesh.

Here, we're specifically taking a wait at just some of the women who have had lasting impacts on their fine art forms. From some of the art world's most iconic pioneers to its most unsung heroes, these women artists all had a paw — and, in some cases, yet take a paw — in changing the globe of fine art and how we define information technology.

Laura Wheeler Waring

Laura Wheeler Waring'south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Modernistic Art (MoMA)

Photographer Cindy Sherman was office of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Moving-picture show Stills (1977–fourscore) — self-portraits in which Sherman "posed in the guises of various generic female person film characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our private and collective identities.

Yoko Ono

A notwithstanding from the performance Cutting Piece, 1964, and a motion picture of the installation Half-A-Room, 1967, as seen at the Museum of Modernistic Fine art in New York City in 2015. Photos Courtesy: Museum of Modern Fine art (MoMA)

You might beginning retrieve of Yoko Ono as a musician and activist, just she's also an accomplished performance and conceptual creative person. Ono was considered a pioneer in the performance fine art motility, earning the nickname the "High Priestess of the Happening".

1 of her almost revered works, Cut Piece, was a performance she first staged in Nippon; Ono sat on stage in a overnice suit and placed scissors in front end of her, and, in an human activity of daring vulnerability, invited audition members to come on stage and cut away pieces of her clothing. "Fine art is like breathing for me," Ono has said. "If I don't do it, I commencement to choke."

Betye Saar

Betye Saar's Black Daughter's Window, 1969 (full and detail). Photos Courtesy: Museum of Mod Fine art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in plough, part of the trajectory of art history.

Saar was office of the Blackness Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the fob is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of fine art, and then you might exist able to give them some sort of bulletin."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is all-time known for exploring themes like death and identity through her self-portraits. Kahlo often used bold, brilliant colors to create her symbol-rich works, and was regarded equally one of the most influential artists of the Surrealist move.

Yayoi Kusama

A viewer photographs within the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she'south also known for her hyper-real sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which employ mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Erstwhile First Lady Michelle Obama (50) and artist Amy Sherald (R) unveil Mrs. Obama'south portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oft doing everyday activities — something that became more than mutual in portraiture writ large in the mid-19th century. Odds are that you lot recognize Sherald's work — and her signature grayscale skin tones — equally she was the outset Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her serial, Pelvis Series Ruby-red With Yellow in Albuquerque, New Mexico. Photograph Courtesy: Tony Vaccaro/Getty Images

Known as the female parent of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just perchance, the skyscrapers of New York Metropolis. In the 1920s, she was the first woman painter to gain the respect of the New York art globe, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor's biennial exhibition All the Earth'southward Futures, part of the 56th Venice Biennale in 2015. Photograph Courtesy: Enkindling/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Metropolis. She used her work to question society, identity, and racial politics by enervating the audience to confront truths near themselves. She oft challenged people on the streets of New York to guess her race, socio-economical class, and gender — all while dressed as a Black human being with a fake mustache and sunglasses, or while wearing compelling statements on her dress.

Shirin Neshat

Shirin Neshat's poses in forepart of a photograph in her exhibition Our Business firm Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, motion picture, and video work, much of which explores the relationship between Islam'south cultural and religious systems and women. Moreover, Neshat'southward works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front end of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Equally a neo-conceptual creative person, Jenny Holzer's work focuses on words and ideas, which she puts on advertizing billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human activity as meditations on diverse concepts, such as trauma, knowledge, and promise. Ane of her more than notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'south Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe creative person, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic N American civilisation. In 2005, she was the kickoff Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation art and sculptures — like the spider higher up — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the fine art globe.

Mickalene Thomas

Mickalene Thomas' A Little Sense of taste Exterior of Dearest, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop art, Mickalene Thomas oft embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Political party. Photo Courtesy: Brooklyn Museum

Judy Chicago was i of the major figures inside the early on Feminist Art movement. Every bit exemplified in her iconic piece of work The Dinner Party, her installation pieces often examine the office of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the offset feminist art program in the U.s..

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Eatables

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In add-on to creating scenic sculptures, frequently of Black folks, Savage founded the Vicious Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Mod Art (MoMA)

Known for her provocative operation art practices, Carolee Schneemann is considered the progenitor of "torso art". (Just look up her almost famous work, Interior Curlicue, and you lot'll see what we hateful.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin'south work challenges traditional power relations. In addition to documenting New York Urban center's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'south Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this await like an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went by her terminal name professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-right copies of large-proper name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Even so, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during Earth War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York Urban center. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing and then, displays various subcultures in formal portraits — merely in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Lord's day) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Colour exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who likewise specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

kennettminimearts.blogspot.com

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